Rehearsing for WILD’s production of ‘Where in the Hell is Dorothy Parker’ are (standing) James P. Walsh (hotel manager), Carter Robinson (Alexander Woollcott), John Wilkins (Heywood Broun), (seated) Veronica Garcia (Mary Kennedy), Tencha Mata (Margalo Gillmore), Lisa Quintinilla (Mrs. Miller) and Debbie Laurel (Dorothy Parker).
From a press release sent to us today:
It is April, 1922. The Algonquin Round Table members, a group of wise-cracking New York critics, are producing the ill-fated Broadway play “No, Siree!” The critics become the actors (with some help of established actors) and the actors become the critics. From this little-known true story comes the original comedy “Where in the Hell is Dorothy Parker?” by Tom Fuschetto.
The play runs Feb. 26, 27 and 28, 8 p.m., at the South Texas Community College Pecan Campus Auditorium, 3201 W. Pecan, McAllen. The auditorium is located in Building D (fronting Pecan), west of the library. Admission is free.
Fuschetto also directs the play, which is produced by the STCC WILD student organization (Writers In Literary Discussion).
Fuschetto, WILD sponsor and an English instructor at STCC, based the play on Dorothy Parker and her Round Table cohorts. Parker was the only female founding member of the Round Table, a renowned intellectual literary circle formed in 1919 at the Algonquin Hotel in New York City. Parker, one of the successful and influential women writers of her time, wrote for Vanity Fair magazine when she became a Round Table regular.
Fuschetto based is script on the little-known story of the group’s disastrous Broadway play that they wrote and produced.
Researching his play took Fuschetto to New York’s Lincoln Center, the actual Algonquin Hotel, and assorted Broadway locations in search of information on the little publicized Broadway performances of “No Siree,” which ran for only one night. “No Sirree” was the “one-night stand” of The Algonquin Round Table. Since theater critics were acting in their creation of “No Siree,” actors took the places of the newspaper critics by writing newspaper reviews of the production, which was considered by Parker as an opportunity for revenge. However, no performer or writer got discouraged and those in the production, which included Tallulah Bankhead, Helen Hayes, Irving Berlin, Robert Benchley, Alexander Woollcott, and George S. Kaufman, went on to perform and write more plays.
For more information, contact Tom Fuschetto at 928-3487 or at firstname.lastname@example.org